On the entertainment side of our practice, the primary focus is administration
of music publishing and master recording catalogs. Because of attorney Tamera Bennett’s extensive background in music publishing and specifically in working with the 1909 Copyright Act, we focus this practice on “estate” catalogs. The firm is located in the Dallas/Fort Worth Metroplex, but we work with clients in Texas and Tennessee.
Typically we work with the surviving heir or heirs to a music publishing catalog or master catalog. Depending on the need of the client, we may be the point person for any and all licensing issues for mechanical, synchronization, print or other licenses, as well as investigating possible unlicensed uses, i.e., infringements. For songs written before January 1, 1978 we also work closely with the client to terminate grants made under the 1909 copyright act and reclaim works for the heirs. We may also work with the client to investigate other revenue sources for the songs/masters in the catalog through song placement.
Entertainment Lawyer Tamera Bennett has a real passion for educating folks on how the music publishing business works and how to protect their creative endeavors. Her article, “2003 = The New Millennium for Copyright” on the topic of termination of transfers under the 1909 and 1976 Copyright Acts has been published in four resources: the materials for the 2003 and 2004 Legal & Business Aspects of the Film & Music Industries CLE; teaching materials for the UCLA Music Business course; and the September 2003 California Copyright Conference Newsletter. In October 2006 she was honored to make a joint presentation with attorneys Kenneth W. Pajak and Katherine A. Kinser on “The Intersection of Estate Issues and Copyright Law: A Long and Winding Road.”



July 19th, 2009 at 5:15 pm
I am visually disabled and just finished writing my first book. I would love to use the first four lines in the song que sera sera.
How do I go about getting permission.
thank you
August 30th, 2009 at 4:42 pm
You have to contact the publisher…try the publishers below…it’s a start:
———————————————————–
Que Sera, Sera (Whatever Will Be, Will Be)”
Music by Jay Livingston
Lyrics by Ray Evans
Published 1956
Original artist Doris Day
Recorded by many artists;
——————————————————–
QUE SERA SERA ASACAP:470324273
Writers:
BERTHIAUME JOCELYNE
EVANS RAYMOND B
LIVINGSTON JAY
Publishers/Administrators:
JAY LIVINGSTON MUSIC INC
ATTN: RANDY TALMADGE
45-495 OSAGE COURT
INDIAN WELLS , CA, 92210
Tel. (760) 674-4967
ST ANGELO MUSIC
% UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700
October 8th, 2009 at 1:06 pm
I have personally created a story for an musical with some portion of some of the songs done. I also have a name and logo. Do I first trademark my musical name/look?
February 9th, 2010 at 8:12 am
Hallo,
I am an upcoming lyricist in Nairobi , Kenya.
I have many lyrics that i’ve written and would like
to know if Music Publishers in US are open to publishing
or copyrighting lyrics only.
Also how can i copyright my lyrics to curb against
exploitation. Thank you for your time,
Eric G
April 24th, 2010 at 6:07 am
I have a film student who would like to use the melody of “Que sera sera” played on a store bought wind-up music box for the soundtrack of her short film. The film will have no commercial value, will only be shown in private screenings and short film festivals if selected. How does she go about requesting usage rights? Thank you.
April 28th, 2010 at 11:25 am
Rhonda, the best place to start is the music publisher and request a film festival license. Tracking down the master owner may be more difficult.